The Faraway Nearby: Georgia O’Keeffe and the New Mexico Landscape [VIDEO]

 Guide: Music Inspired by Art

I believe that painter Georgia O’Keeffe (1887-1986) achieved an important artistic ideal: to create new meanings, previously unrealized connections, and heightened ways of perceiving the world and filtering experience. I seek to do the same with my music video piece, The Faraway Nearby: to offer new insight and new ways of experiencing the paintings of Georgia O’Keeffe and her source material—to bring you into her world as I imagine it.

The Faraway Nearby is about seeing. When I look at O’Keeffe’s paintings of New Mexico, I am reminded of that remarkable landscape in a way that feels almost more immediate and more meaningful than the reality. I see the abstract shapes, colors, and compositional ideas that informed her interpretation of the visual world around her. I see the relationship to place that was immensely important to her, which she forged while hiking for endless hours through desert badlands. This piece is my attempt to create an immersive visual and musical experience that captures these qualities.

The video and music are closely coordinated in phrasing, development, and mood, and the structure of the music dictated my visual choices and pacing, both on a moment-to-moment basis and in larger formal concerns. Repetitions of the primary thematic section (heard at the beginning, middle and end of the piece) coincide with the image of Pedernal, “her mountain”. Pedernal is seemingly ever-present in the video, much as it looms on the horizon at Ghost Ranch. Here it represents O’Keeffe’s lasting presence, and her sense of spiritual ownership of the land. The musical atmosphere suggested to me by O’Keeffe’s visual world is a personal intuitive response which, I hope, speaks for itself.

The score to this multimedia video piece, inspired by the paintings of Georgia O’Keeffe, was composed prior to the conception of this video as part of a three-movement work for chamber quintet, Into nowhere (2010). I filmed on location in New Mexico in June 2010, and edited the video over the summer, adding animations and collaging visual elements evoking O’Keeffe’s aesthetic inspirations. The video received its premiere screening, with a live ensemble performing the music, in November 2010. Beyond the Notes: Music Inspired by Art will be the second time the piece has been screened in public, and I am seeking additional screenings (with live performances or pre-recorded score) and gallery installations for this piece.

Production of The Faraway Nearby was funded in part by an Entrepreneurial Grant from New England Conservatory’s Entrepreneurial Musicianship Department.

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